In music News

UK music producer DEADLIFE releases ‘Strands Unravel’ before new album release

UK synthwave producer DEADLIFE has been making a name for himself, starting in 2017 with his album debut Bionic Chrysalis, which was voted Best Synthwave Album 2017 by MetalSucks. In 2019 he had double the success, by having both of his albums reach the US Billboard Electronic Album Sales chart and his album Singularity was ranked as the best Dark Synth Wave Album 2019 by subscribers and community of Russian label Retrowave Touch. The ‘Strands Unravel’ track is off of his upcoming album City of Eternal Rain, which is due for release this April.

DEADLIFE grew up playing video games, and it is where the producer gets inspiration for his sound. He is creative with an emotionally conscious side to himself. He believes that his music is the best place to express his inner feelings and emotions, and helps to connect better with his fans. The producer has a classical music background and in his previous music venture he was a drummer in a band. After much thought, DEADLIFE  did not feel that he could grow musically in the band and decided to follow a solo music path. He would teach himself how to compose and produce electronic music.

The musician elaborates on his release, “ With how things have been going, I'd be lying if I said I was happy with how things are and the near future looks promising. It doesn't. I feel things are unraveling so fast, I can barely keep up. The delicate strands of humanity are fast unwinding. The song gathers momentum, I have a tendency to do that when I write because its how I often feel. Emotions can be turbulent, they ebb and flow, and I hope whoever listens and enjoys what I write can empathise and relate.”


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In LP music News

Evan Caminiti announces eco-dread electronic LP: “Varispeed Hydra”

Los Angeles based artist Evan Caminiti returns with the follow up to 2017’s “Toxic City Music”.

Living in the wrong timeline, dreaming of possible utopias; Varispeed Hydra beams in like a collection of broken transmissions, terrestrial sounds melting into the abstract and rising again as vaporous spectres. Three years in the making, “Varispeed Hydra” was recorded utilizing a variety of electroacoustic processes and honed in live performances ranging from the sound art setting of NYC’s Issue Project Room to the future-club environment of DOMMUNE in Tokyo. While thematically following “Toxic City Music”, it moves past that album’s emphasis on superfund sites and the proverbial rat race to turn an ear towards more rural environs.

With a focus on some of the sounds, we stand to lose if we continue on our current trajectory of ecological destruction, birds, insects, and water are most often found among the glowing synthesizers and warped electric guitar that comprise the album’s melodic and rhythmic core. Connecting a thread between musique concrete and dub, these sounds are atomized and diffused before being woven together with a sense of urgency, a colourful and restless haze. Phasing percussion and blurred melodies are wrapped in a fog as they tumble and glitch, occupying a space where ominous rumblings and bucolic bliss blur together. An offering of cautious optimism in the age of anxiety.

Follow Evan Caminiti online 
Twitter | YouTube

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Premiere: Ross Downes shares a brand new song ‘Hiding In History’

London-based artist and musician Ross Downes announces a brand new song ‘Hiding in History’ from his forthcoming LP “Stacked Up At Zero” which will be released 1 May 2020 via Trestle Records.

“Stacked Up At Zero” is a carefully crafted record fluctuating between calm solace, foreboding tension and ambient longing. Fundamentally an electronic record, synthesisers create a darkly ethereal setting, evoking entranced contemplation that regularly gives way to more shadowy territories.

Follow Ross Downes online 
Soundcloud | Instagram

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In Interview New Music News

Q&A with Pagan synthwave producer Das Mörtal

Cristobal Cortes, more famously known as Das Mörtal is a synthwave musician. He released his latest single ‘The void’ in celebration of the Pagan event Imbolc on 31 January 2020. Cristobal music is inspired by german techno, horror and sci-fi movie soundtracks for his distinct sound. The musician has scored music for horror films titled Naissance d’un Zombie and Deadcon.

If someone has never heard your music, which keywords would you personally use to describe your overall sound and style?

Dreadful Electro

Tell us about yourself. How did you get into music?

Just always enjoy playing on synths. Then random playing became more constructed and sequenced until I started making actual tracks, and since then it's always been trying random stuff when I'm bored and have some free time. Those sessions eventually evolve into songs.

 Do you have any unconventional or special rituals to mentally prepare for the creative process of creating new music?

 Mostly consists of making aggressive tones or noises on synths for two hours. It helps to get in the mood, and cleanses my ears so I can start to compose without any major influence.

Name your favourite movie scores that you’re constantly referencing inspiration from in your music, and why? 

Halloween III: Season of the Witch, as It's just so simple and pure. It doesn't try to be orchestral. Now that the 80's sound is trending, there are a lot of scores that try to make it sound like 80's synths, but then they mix it with real orchestral strings and stuff, which misses the whole point. The reason a good amount of scores in the 80's were synth base was because they just didn't have the budget to pay a whole orchestra. That's what made those low budget scores so iconic. The raw sound they have.

When you compose and produce tracks, do you make music for yourself or do you make it with others in mind?

Really just make it for myself. I try to make something that I got in my head, but since I have very little academic musical knowledge, it always sounds like a mutant form from what I originally had in mind. I guess that gives it its own personality. Then keep working on it until I'm happy with it.

What key pieces of gear/software are you using to define your sound?

Prophet 5 synth.

Has your arsenal of equipment changed much since you first started?

Less gear and more single computer-based. I still have some gear around, but ultimately they're used more for coming up with ideas. Once those ideas get more concrete, I shift on a computer only because it's easier to manage it all.

Three favorite tracks of all time?

Aphex Twin - IZ-US
Boards of Canada - Pete Standing Alone
Depeche Mode - Enjoy the Silence

What inspires you outside of music?

Films, especially when it's a visual feast.

What is the best or strangest reaction you've had to your music this far?

All of them I guess. Honestly, I'm surprised people actually listen to my stuff since it's all made on a laptop in the corner of my room and I make music for myself. So hearing any feedback on it is always a surprise.

What, in your opinion would be the perfect genre fusion?

New Romantic House.

Do you consider the Internet and social media as fundamental in building a career in music today, and what is your personal relationship with the new technology at hand?

It's really important nowadays since that's how people keep tabs on artists they like. That's how I learn when somebody I enjoy releases some new stuff. But my relationship with it has faded the older I got. It feels very time consuming but it's important to the fans, so I gotta keep it fresh from time to time.

What can we expect from you in the near future? Any upcoming projects or releases in the pipeline that you would like to tell us about?

Two tours are coming up with DANCE WITH THE DEAD. One in Europe and a North American one. I will be dropping singles to promote the future album and it will be featured on the Streets Of Rage 4 soundtrack.

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